![]() SHAPIRO: And so the family actually turned you down. Quintanilla, who is notorious for sort of guarding her legacy with an iron fist. GARCIA: And I knew that I had to get the green light from her father, from Mr. GARCIA: Well, we couldn't make this podcast without her art, without Selena's songs. SHAPIRO: So there was a big hurdle that you had to clear before you could even begin to tell this story. #The notorious big life after death album download code#And so to see somebody who was beloved in both places without compromising herself, without sort of contorting herself, without code switching, even at such a young age, was incredibly profound for me. And then in the U.S., I also felt out of place. And so I felt this rejection forming in Mexico. ![]() And my cousins and my friends there started calling me a pocha, you know, which is a horrible insult in Mexico.Īnd it's made against somebody who, you know, has sort of like ruined the culture and the language with this sort of crass working-class sensibility. You know, when I was a young girl, I would go back to Mexico. And even at a young age, it was astounding to me to see a woman who was so proud of this identity that felt like it had been derided by the world. GARCIA: Because she was the very first person I witnessed who embodied these two parts of myself. SHAPIRO: Explain why the story that you tell about Selena is so relevant to this story that you tell about yourself being split down the middle by this border. And so I couldn't tell Selena's story without including that lens. And I was so aware that in either side of the border, it felt like the half of me was missing. during the week at school where I was Mary, where the first day of school, my teacher just decided to Anglicize my name without the permission of my parents - and so being Mary half of the week and being Maria in Mexico the other half. And so my early life was literally split down the middle in two countries, the U.S. That place also feels like this gash inside of me. I feel like that place isn't just this, like, boundary on land. GARCIA: Because it's the place that made me. So I asked Maria Garcia why she wanted to begin the first episode with this very specific description of a place. And this podcast is about Selena and her music, but it's also about the host herself. SHAPIRO: Selena died at the age of 23, killed by the president of her fan club in 1995. And there's usually a calm, clear breeze, which carries these concentrated little pockets of fragrance. It's slightly floral, but mostly it's this very specific cool, earthy, desert aroma. MARIA GARCIA: It has this unforgettable smell when it rains. (SOUNDBITE OF CLIP, "ARCHIVED NPR BROADCAST") The host, Maria Garcia, describes a plant that grows there - creosote. Instead, it starts on the U.S.-Mexico border. The show "Anything For Selena" doesn't begin with the singer's biography or her most popular tunes. So we're going to revisit an interview I did about a podcast that chronicles her life. And this past weekend would have been Selena's 51st birthday. According to Quintanilla, the first song on the new album is one Selena recorded when she was just a teenager. SHAPIRO: Nearly three decades after her tragic death, Selena's father, Abraham, says a new album is set to be released sometime in the near future. Selena Quintanilla was known as the queen of Tejano music.
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